Something happens to a woman as she ages, after the many inner wars she wages, after the last of the maturing phases, she is lured into the realm of divine sages.
Peace. Love. Harmony.
I enjoy writing poetry and I have already published two poetry anthologies, since the filming of this particular video.
For more information on “Diary of a Truth Seeker: An Enlightening Anthology of Poetry” feel free to check out:
My website: http://www.EstariPowers.com OR
Amazon: http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Daps&field-keywords=estari+powers&x=0&y=0
PLEASE STAY TUNED FOR “PhilosoFlow: I Could Be Wrong, But I Doubt It”
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Kodac Harrison, the local beatnik bluesman, was named Atlantas Best Spoken Word Artist in Creative Loafing. Kodac has co-edited three anthologies of poetry and is chairman of Poetry Atlanta. The second volume received a Best of award in Atlantas Creative Loafing, and one of the poems from the anthology received a Pushcart Prize. Kodac received the Taran Family Memorial Award for outstanding achievement in support of poetry at the 43rd Annual Georgia Author of the Year Awards. He hosts the award-winning Java Monkey Speaks.
In this video, Kodac Harrison, singer/songwriter/spoken word artist, acoustic guitarist, performs at the February 8th birthday celebration for poetess Alice Lovelace.
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Y10 work on the poem ‘Limbo’, using image and sound.
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Based on the poem “Before You Were Mine” by Carol Ann Duffy.
Created by Eleanor King, Rebecca Mason, Emma Nelson and Lauren Canvin.
Film edited by Lauren Canvin.
Song: In a Manner of Speaking by Nouvelle Vague
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Heres a virtual movie of John Masefield reading his celebrated poem “Sea Fever” the sound recording comes from a broadcast by him in 1941.The poem comes from his anthology Saltwater Ballads.
John Edward Masefield, OM, (1 June 1878 — 12 May 1967) was an English poet and writer, and Poet Laureate from 1930 until his death in 1967. He is remembered as the author of the classic children’s novels The Midnight Folk and The Box of Delights, two novels “Captain Margaret” and “Multitude and Solitude” and a great deal of memorable poetry, including “The Everlasting Mercy”, and “Sea-Fever”, from his anthology Saltwater Ballads.
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2008
“Sea-Fever”
I must down to the seas again, to the lonely sea and the sky,
And all I ask is a tall ship and a star to steer her by,
And the wheel’s kick and the wind’s song and the white sail’s shaking,
And a grey mist on the sea’s face, and a grey dawn breaking.
I must down to the seas again, for the call of the running tide
Is a wild call and a clear call that may not be denied;
And all I ask is a windy day with the white clouds flying,
And the flung spray and the blown spume, and the sea-gulls crying.
I must down to the seas again, to the vagrant gypsy life,
To the gull’s way and the whale’s way where the wind’s like a whetted knife;
And all I ask is a merry yarn from a laughing fellow-rover
And quiet sleep and a sweet dream when the long trick’s over.
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By Sam Ahearn.
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Here is the 4th & final installment of my trip to Poetry live
Carol Ann Duffy is reading Salome and (half of) ‘Before you were mine.’
Sorry the latter is incomplete, that’s down to my silly camera!
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A collection of stories and poems, created by members of the Published Authors Forum on the world wide web, reflecting the bond of friendship between writers from all over the world. Forever Friends is a celebration of the power of friendship and human relationships.
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Heres a virtual movie of the American poet, biographer, and dramatist Edgar Lee Masters reading the poem “Fiddler Jones” from his best known anthology of poems “Spoon River Anthology”.
This exquisite whimsical poem asserts that it is the happy memories we make that are realy more important than the money we make in our lives. The first line of the poem refers to the rhythym of the heart, and that you yourself are contained in it, and that when you find your passion, your talent, that is what you must commit yourself to, for all your life. One man will look at the field and see a ready harvest and dollar signs. Fiddler Jones would look at it and see a beautiful passage, beyond which lies the river where he would lie and fiddle days away. Later, in the fall, when the wind sends the corn rustling, the first man hears the rattle of change, for this means it is time to harvest and send the cows to be butchered, which means money in his pocket. Fiddler, on the other hand, is simply reminded of the sound made when the girls dance to his music, the way their skirts swish and rustle. Similarly, to one man, a dry, dusty climate means trouble for his crops and causes him worry, but Fiddler just sees is as a reason to party. How could he work his land, much less worry about obtaining *more* land, which would mean *more* work, when everything around him reminds him of his music, his dancing? Furthermore, during the times he did start to work, someone would come and request him to fiddle at a party, and being a man who knows his values, he’d put down his plow and pick up his fiddle. He didn’t die rich, but he died happy.
Spoon River Anthology (1915), by Edgar Lee Masters, is a collection of short free-form poems that collectively describe the life of the fictional small town of Spoon River, named after the real Spoon River that ran near Masters’ home town. The collection includes two hundred and twelve separate characters, all providing two-hundred forty-four accounts of their lives and losses.
Edgar Lee Masters (Garnett, Kansas, August 23, 1868 – Melrose Park, Pennsylvania, March 5, 1950) was an American poet, biographer, and dramatist. He is the author of Spoon River Anthology, The New Star Chamber and Other Essays, Songs and Satires, The Great Valley, The Serpent in the Wilderness An Obscure Tale, The Spleen, Mark Twain: A Portrait, Lincoln: The Man, and Illinois Poems. In all, Masters published twelve plays, twenty-one books of poetry, six novels and six biographies, including those of Abraham Lincoln, Mark Twain, Vachel Lindsay, and Walt Whitman.
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2010
Fiddler Jones……
The earth keeps some vibration going
There in your heart, and that is you.
And if the people find you can fiddle,
Why, fiddle you must and for all your life.
What do you see, a harvest ofclover?
Or a meadow to awlk through to the river?
The wind’s in the corn; you rub your hands
for beeves hereafter ready for market;
Or else you hear the rustle of skirts
Like the girls when dancing at Little Grove.
To Cooney Potter a pillar of dust
Or whirling leaves meant ruinous drouth;
They looked to me like Red-Head Sammy
Stepping it off, to “Toor-a-Loor.”
How could I till my forty acres
Not to speak of getting more,
With a medley of horns, bassoons and piccolos
Stirred in my brain by crows androbins
And the creak of a wind-mill—only these?
And I never started to plow in my life
That some one did not stop in the road
And tkae me away to a dance or picnic.
I ended up with forty acres;
I ended up with a broken fiddle—
And a broken laugh, and a thousand memories.
And not a single regret.
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Very clever poem named ‘Lost Generation’ by Jonathan Reed.
Enjoy!
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